«
Olyam’s massively overdubbed flamenco-style guitars weaving
a rich background chordal tapestry which, along with dreamy synthesized
strings ensembles, provides a backdrop for Saavedra’s flute
and pan pipe soloing.[…] If you’ve ever heard the Patrick
Moraz album Coexistence from 1984, this album has its similarities.
»
From
New Gibraltar Encyclopedia of Progressive Rock, october 11, 2002
«
Although the textures of the « Attacama » album are
quite accessible, they’re way complex, diverse, and interesting
than anything that was created within the framework of a traditional
World Music. »